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Lyric Poetry. Etna (The I Tatti Renaissance Library), by Pietro Bembo
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Pietro Bembo (1470-1547), scholar and critic, was one of the most admired Latinists of his day. After some years at the court of Urbino, where he exchanged Platonic love letters with Lucrezia Borgia, he moved to Rome and served as secretary to Leo X (1513-1520). Later he retired to Padua and a life of letters. He was made a cardinal in 1539. The poems in this volume come from all periods of his life and reflect both his erudition and his wide-ranging friendships. This verse edition is the first time they have been translated into English.
This volume also includes the prose dialogue Etna, an account of Bembo's ascent of Mt. Etna in Sicily during his student days, translated by Betty Radice.
- Sales Rank: #2312454 in Books
- Published on: 2005-07-30
- Released on: 2005-06-27
- Original language: Latin
- Number of items: 1
- Dimensions: 8.26" h x .79" w x 5.54" l, .88 pounds
- Binding: Hardcover
- 304 pages
Review
Chatfield has provided a useful life, a brief commentary on each work, and textual, metrical, and the occasional substantive note, with a bibliography and index. The pages are bright and uncluttered. There is a generous holding back of the facing Latin text in order to allow the English to catch up, so that the original is always next to its translation...Even in translation, Bembo has a voice of his own. It sounds through the English in his thoughts, moods, and modes; he can be lyrical, didactic, epigrammatic, and epic. (Marcia Karp Sixteenth Century Journal)
About the Author
Mary P. Chatfield is the former Head of the Classics Department at the Commonwealth School, Boston.
Betty Radice (1912-1985) edited the Penguin Classics from 1964 to 1985 and translated Terence, Livy, Pliny, Abelard and Heloise, and Erasmus.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A cleric, a Humanist, and erotic poet
By Marie Sharon
It is always a treat to read treatises by clerics of the Middle Ages through the later Renaissance that enlarge upon the extent of the scientific understanding of their era. Bembo's ETNA gives us a clear exposition of how 16th century men viewed volcanology. It is also interesting to note how a cleric who is also a Humanist, reconciles his privates beliefs with the authorized doctrine of the Church. Bembo considered the membrane between classical mythology and the Christian religion to be readily and easily permeable. Hence his exquisite lyric eroticism.
His Faunus character was a creature after his own heart, a seeker after beauty, the unsatisfied voyeur, Faunus the lascivious lover of fleeing nymphs, witty, self-mocking, an earnest Casanova. His Faunus is one who knows the power a lovely woman can have over a man who understands the tender art of making love. I found his Faunus poems and PRIAPUS fine reading.
This offering from Harvard's I Tatti series presents us with a quite thorough biography of Bembo, and also takes us through his studies, and gives us a very good background on his fellow literary companions and friends. His life, in and out of the church, is indicative of so many of the other young men who fell back on the benefices of the church without a vocation, but simply to underwrite their lifestyle.
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